The Competition is the very core of Concorto.
\n46 films that represent not only the direction cinema has taken in the last year, but especially the directions cinema will take in the near future.
\nFilmmakers have engaged in several themes, from the responsibilities of individuals towards society to private relationship and choices, from nowadays neurosis to the deepness of the human mind. They have used a variety of styles and techniques that constitute a good spectrum of today cinema.
\n25 countries are represented, with a special attention to Europe, still the main place in which directors experiment new themes and languages. Of the 46 films in competition, 21 have never been screened in Italy before.<\/p>\n
THE SELECTED SHORTS<\/strong><\/p>\n 59 secondi (59 Seconds) by Mauro Carraro, Switzerland\/France, INTERNATIONAL PREMIERE<\/p>\n A casa mia (At My Home), by Mario Piredda, Italy<\/p>\n Across My Land, by Fiona Godivier, USA\/France, ITALIAN PREMIERE<\/p>\n A Gentle Night, by Tang Qiu, China, ITALIAN PREMIERE<\/p>\n All My Happy Friends, by Paul Howard Allen, UK<\/p>\n Calamity, by Maxime Feyers and S\u00e9verine De Streyker, Belgium, INTERNATIONAL PREMIERE<\/p>\n Ce qui \u00e9chappe (The Elusive), by Ely Chevillot, Belgium, ITALIAN PREMIERE<\/p>\n Copa-Loca, by Christos Massalas, Greece, ITALIAN PREMIERE<\/p>\n Dadyaa (Dadyaa – The Woodpeckers of Rotha), by Bibhusan Basnet and Pooja Gurung, Nepal\/France<\/p>\n Dekalb Elementary, by Reed Van Dyk, USA, ITALIAN PREMIERE<\/p>\n Einstein-Rosen, by Olga Osorio, Spain<\/p>\n Fatima Marie Torres And The Invasion Of Space Shuttle Pinas 25, by Carlo Francisco Manatad, Philippines, ITALIAN PREMIERE<\/p>\n Giraffe, by Janne Schmidt, Netherlands, ITALIAN PREMIERE<\/p>\n Green Screen Gringo, by Douwe byjkstra, Netherlands\/Brasil<\/p>\n Guillaume \u00e0 la d\u00e9rive (Guillaume Drifting), by Sylvain byeuaide, France,<\/p>\n Gure hormek (Our Walls), by Maria Elorza and Maider Fern\u00e1ndez, Spain<\/p>\n Helga \u00e4r I lund (Helga is in Lund), by Thelya Petraki, Greece<\/p>\n Inconvenient Comfort, by \u00c1d\u00e1m Fillenz, Netherlands\/Hungary, ITALIAN PREMIERE<\/p>\n Jamie, Christopher Manning, UK<\/p>\n Kukista ja mehil\u00e4isist\u00e4 (About the Birds and the Bees), by J.J. Vanhanen, Finland<\/p>\n Kukuschka, by Dina Velikovskaya, Russia<\/p>\n La viaggiatrice (A Traveling Girl), by Davide Vigore, Italy<\/p>\n Le ph\u00e9nom\u00e8ne de Raynaud (Raynaud’s Phenomenon) by Lionel Nakache, France, ITALIAN PREMIERE<\/p>\n Le plombier (The Plumber), by M\u00e9ryl Fortunat-Rossi and Xavier S\u00e9ron, Belgium\/France<\/p>\n Les L\u00e9gendaires, by Vincent Le Port, France, ITALIAN PREMIERE<\/p>\n Mon homme (Poulpe), by Stephanie Cadoret, France, ITALIAN PREMIERE<\/p>\n My mamma is bossies (My Mum\u2019s Bonkers), by Naomi van Niekerk, South Africa<\/p>\n N\u00e9boa (Fog), by Claudia Costafreda, Spain, INTERNATIONAL PREMIERE<\/p>\n Notes on Monstropedia, by Koji Yamamur, Japan<\/p>\n Point and Shoot, by Thomas Leisten, USA, ITALIAN PREMIERE<\/p>\n Pouvez-vous boiter? (Limp Like That), by Petra Szocs, France\/Hungary, ITALIAN PREMIERE<\/p>\n Railment, by Shunsaku Hayashi, Japan<\/p>\n Ruah, by Flurin Giger, Switzerland<\/p>\n Sigismond Sans Images, by Alb\u00e9ric Aurten\u00e8che, Canada, ITALIAN PREMIERE<\/p>\n Stella, Massimiliano D\u2019Epiro, Italy<\/p>\n Stone on Stone, by Mohsen Serjian and Marzieh Hakim, Iran<\/p>\n The Dark of Night, by Robin Wright, USA, ITALIAN PREMIERE<\/p>\n The Kid, by Pawe\u0142 Podolski, Poland, INTERNATIONAL PREMIERE<\/p>\n T\u00fchi ruum (Empty Space), by \u00dclo Pikkov, Estonia<\/p>\n Un \u00e9tat d\u00b4urgence (State of Emergency), by Tarek Roehlinger, Germany\/France<\/p>\n United Interest, by Tim Weinmann, Germany<\/p>\n Uomo in mare (Overboard), by Emanuele Palamara, Italy<\/p>\n Valparaiso, by Carlo Sironi, Italy<\/p>\n We the others, Nikos Gkoulios, Greece, ITALIAN PREMIERE<\/p>\n Where did it all start?, by J. Tobias Anderson, Sweden, WORLD PREMIERE<\/p>\n Whoever Was Using This Bed, by Andrew Kotatko, Australia<\/p>\n","protected":false},"excerpt":{"rendered":" The Competition is the very core of Concorto. 46 films that represent not only the direction cinema has taken in the last year, but especially the directions cinema will take…<\/p>\n","protected":false},"author":2,"featured_media":1537,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"\n