{"id":1742,"date":"2018-01-22T12:17:47","date_gmt":"2018-01-22T11:17:47","guid":{"rendered":"https:\/\/concortofilmfestival.com\/?p=1742\/"},"modified":"2018-01-22T12:18:50","modified_gmt":"2018-01-22T11:18:50","slug":"2018poster","status":"publish","type":"post","link":"https:\/\/concortofilmfestival.com\/en\/2018poster\/","title":{"rendered":"CONCORTO 2018 OFFICIAL POSTER"},"content":{"rendered":"

What makes a poster truly effective?
\nToulouse-Lautrec knew it fully well: a few colours, distinct lines, clear marks that can grab the attention of the busiest passer-by. However, even bounded by these many limitations, posters sometimes become true works of art, just like the peregrine\u2019s stoop, limited by the rules of physics but free and foolish at the very same time. Most of all, a poster must be beautiful.
\nIt is with utmost pleasure that we unveil the poster of the seventeenth edition of Concorto Film Festival<\/strong>: an \u201candroid\u201d fluctuating donkey, epigone of Henri Fuseli\u2019s nightmare horses, a creature between fantastic and verisimilar characterised by extra-terrestrial sight. All the more coherent for a film festival with the aim of discovering the unusual, the new, the uneasy, the unexpected. Concorto\u2019s bestiary welcomes an oneiric, cerebral, ancestral and ultramodern creature, asymmetric and vital.
\nOur thanks therefore go to Silvia Idili<\/strong>, author of the donkey that will keep us company in this 2018 edition of Concorto Film Festival.
\nSilvia Idili was born in Cagliari in 1982 and moved to Milan in 2007 where she currently lives and works. \u201cIn all this time I think I have an idea of who I am, but I think that full knowledge about oneself arrives at the end of one\u2019s existence, when the circle is closed\u2026 painting for me is a good way to learn more about myself: it\u2019s my inner research\u201d.
\nSilvia Idili was shortlisted in many contemporary art awards<\/span>, including:
\nPremio Pio Alferano 2015
\nPremio Rugabella 2013 \u201cAge of Aquarius\u201d curated by Fabio Carnaghi
\nPremio Celeste, fabbrica Borroni, curated by Gianluca Marziani
\nPremio Banca Profilo, Museo della Permanente
\nPremio Italian Factory, Fabbrica del Vapore<\/p>\n

Main solo and duo exhibitions<\/span>:
\nCrossbuilding, Silvia Idili and Francesco Irnem, Glenda Cinquegrana Art Consulting, curated by Francesca Franco and Rachele Paradiso, Milan 2017;
\nL\u2019arte di forzare i maestri, Galleria Moitre, Turin, 2016;
\nVisionaria, Cr\u00e8dit Agricole in collaboration with Careof DOCVA curated by Chiara Agnello, Milan, 2012;
\nAltrove, Studio d\u2019arte Cannaviello, Milan 2012.<\/p>\n

Main collective exhibitions<\/span>:
\nSenza titolo, works from the Collezione Mameli, curated by Antonello Cuccu, Irgoli, 2017;
\nExtravaganza\/Ultralight. Eccentricit\u00e0 e leggerezza dalla Collezione della Banca di Sassari in memoria di Angelo Tilocca, curated by Davide Mariani,
\nPalazzo Ducale, Sala Duce, Sassari, 2016;
\nNotre avenir est dans l\u2019air, Antiquarium Alda Levi, curated by Fabio Carnaghi, Milan, 2015;
\nClose-Up, Palazzo Collicola Arti Visive, curated by Gianluca Marziani, Spoleto, 2015;
\nIl reale non basta, Museo di Arte Contemporanea di Lissone, sala Gino Meloni, curated by Stefano Pellizzari, 2015;
\nIl buco dentro agli occhi o il punto dietro la testa, curated by Massimiliano Fabbri, Museo Civico Luigi Varoli, Fusignano, 2014;
\nContemporaneo.Doc\/DOCVA, Maxxi Base, curated by Giulia Ferracci e Carolina Italiano, Rome, 2010;
\nIl raccolto d\u2019autunno continua a essere abbondante, Careof\/Via Farini, Fabbrica del Vapore, curated by Milovan Farronato and Chiara Agnello, Milan, 2009.<\/p>\n","protected":false},"excerpt":{"rendered":"

What makes a poster truly effective? Toulouse-Lautrec knew it fully well: a few colours, distinct lines, clear marks that can grab the attention of the busiest passer-by. However, even bounded…<\/p>\n","protected":false},"author":2,"featured_media":1739,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"\nCONCORTO 2018 OFFICIAL POSTER - CONCORTO FILM FESTIVAL<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/concortofilmfestival.com\/en\/2018poster\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CONCORTO 2018 OFFICIAL POSTER - CONCORTO FILM FESTIVAL\" \/>\n<meta property=\"og:description\" content=\"What makes a poster truly effective? 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