{"id":2093,"date":"2019-07-01T10:05:28","date_gmt":"2019-07-01T08:05:28","guid":{"rendered":"https:\/\/concortofilmfestival.com\/?p=2093"},"modified":"2019-07-20T11:55:58","modified_gmt":"2019-07-20T09:55:58","slug":"deep-night-2019","status":"publish","type":"post","link":"https:\/\/concortofilmfestival.com\/en\/deep-night-2019\/","title":{"rendered":"DEEP NIGHT 2019"},"content":{"rendered":"<p><em>Curated by Rael Montecucco<\/em><\/p>\n<p>Born within the frame of Concorto Film Festival as section dedicated to horror cinema only, the <em>Deep Night<\/em> focus developed over the years, opening the doors to the world of the surreal, of the experimental and of everything that can be called weird. The Concorto midnight screenings become in this way a sort of Bizarre Circus, where the public can find traditional horror movies as well as animation, grotesque comedies, and non-conventional thrillers.<br \/>\n17 films from 12 different parts of the world, with several Italian premieres and short films coming from the most important international festivals dedicated to fantastic cinema.<br \/>\nThree nights not to be missed. The meeting is as always at midnight, in the Greenhouse of Parco Raggio.<br \/>\nWelcome to <em>Deep Night<\/em>.<\/p>\n<p><strong>30 AMPER by Michal Kubicek, Czech Republic, 2018<\/strong><br \/>\n<strong>CERDITA (PIGGY) by Mart\u00ednez Pereda Carlota, Spain, 2018<\/strong><br \/>\n<strong>CHICHI by David Nessl, USA, 2019<\/strong><br \/>\n<strong>CHOWBOYS: AN AMERICAN FOLKTALE by Astron 6, Canada, 2018<\/strong><br \/>\n<strong>CRYING BITCH by Reiki Tsuno, Japan, 2018<\/strong><br \/>\n<strong>DOCKING by Trevor Anderson, Canada, 2019<\/strong><br \/>\n<strong> GERICHTSZEICHNER (COURT SKETCH ARTIST) by Jochen Kuhn, Germany, 2018<\/strong><br \/>\n<strong>HELSINKI MANSPLAINING MASSACRE by Ilja Rautsi, Finland, 2018<\/strong><br \/>\n<strong>IT&#8217;S NOT CUSTARD by Kate McCoid, UK, 2018<\/strong><br \/>\n<strong>LAY THEM STRAIGHT by Robert DeLeskie, Canada, 2018<\/strong><br \/>\n<strong>MILK by Santiago Menghini, Canada, 2018<\/strong><br \/>\n<strong>MONDOCANE by Blaise Villars, Switzerland, 2019<\/strong><br \/>\n<strong>RIGHT PLACE, WRONG TIM by Eros Vlahos, UK, 2018<\/strong><br \/>\n<strong>TEETH AND PILLS by Andrea Vinciguerra, UK\/Italy, 2018<\/strong><br \/>\n<strong>UNDER COVERS by Michaela Olsen, USA, 2018<\/strong><br \/>\n<strong>WHO&#8217;S THAT AT THE BACK OF THE BUS? by Philip Hardy, UK, 2018<br \/>\nVINEGAR BATHS by Amanda Nell Eu, Malaysia, 2018<br \/>\n<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curated by Rael Montecucco Born within the frame of Concorto Film Festival as section dedicated to horror cinema only, the Deep Night focus developed over the years, opening the doors&#8230;<\/p>\n","protected":false},"author":2,"featured_media":2089,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.5 - 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