{"id":7086,"date":"2025-07-30T09:00:00","date_gmt":"2025-07-30T07:00:00","guid":{"rendered":"https:\/\/concortofilmfestival.com\/?p=7086"},"modified":"2025-07-29T22:49:05","modified_gmt":"2025-07-29T20:49:05","slug":"concortissimo-2025","status":"publish","type":"post","link":"https:\/\/concortofilmfestival.com\/en\/concortissimo-2025\/","title":{"rendered":"CONCORTISSIMO"},"content":{"rendered":"\n

by Corinna Baldini and Johnny Shock<\/em><\/em><\/p>\n\n\n\n

Owing to the proliferation of new audiovisual languages in renewed spaces, times, and dimensions, the issue of the format has never been so relevant. The film – and audiovisual in general – format, a term referring to a now fluid dimension, is crossing new thresholds and exploring new frontiers. As short films are becoming longer and longer and reels are becoming shorter and shorter, it is worth  asking ourselves whether and how the message is linked to the time it takes to be told. <\/p>\n\n\n\n

This led us to\u00a0 bring back to Concorto Film Festival, for the second year in a row and after a break of eleven years, Concortissimo 2025 (“very brief”), a focus which redefines the meaning of \u201cshort\u201d.\u00a0<\/p>\n\n\n\n

Each film screened is no longer than five minutes. <\/p>\n\n\n\n

At a time when time is precious and attention is a limited resource, Concortissimo aims to offer intense experiences that condense emotions, narratives and meaning in a few minutes. Concortissimo wants to offer a varied range of short films that, despite their brevity, manage  to explore different languages and themes, showing that the power of a story is not measured by its length, but by its ability to convey engaging elements and solutions.<\/p>\n\n\n\n

Films featured:<\/p>\n\n\n\n

Annoyance <\/em>by Sascha Vernik, Austria (2024) 2\u201922\u2019\u2019
A Pathetic Man<\/em> by Yoo Chaerin, South Korea (2024) 5\u2019
Becoming Straight<\/em> by Buhr Patrick, Germany (2025) 3\u2019
Circle of Life<\/em> by Peter Millard, UK (2023) 3\u201934\u2019\u2019
Coo-rage<\/em> by Milkina Alina, Netherlands (2024) 2\u201930\u2019\u2019
Corde Raide<\/em> by Gregory Eggermont, France (2024) 2\u2019
Dark Globe<\/em> by Donato Sansone, France\/Italy (2024) 3\u2019
Dafanifi <\/em>by Jonathan Figoli, France (2024) 3\u2019
Fruit <\/em>by Ivan Li, Canada (2020) 3\u2019
Maman <\/em>by Christophe Switzer, France (2025) 2\u201952\u2019\u2019
Quota <\/em>by Job, Joris & Marieke, Netherlands (2024) 3\u2019
Tangled Wood<\/em> L by Au\u0161rin\u0117 Kurgonait\u0117, Lithuania (2024) 4\u201930\u2019\u2019
The Test<\/em> by Benjamin Sutton, UK (2024) 3\u201927\u2019\u2019<\/p>\n","protected":false},"excerpt":{"rendered":"

by Corinna Baldini and Johnny Shock Owing to the proliferation of new audiovisual languages in renewed spaces, times, and dimensions, the issue of the format has never been so relevant….<\/p>\n","protected":false},"author":2,"featured_media":7095,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95,73],"tags":[],"yoast_head":"\nCONCORTISSIMO 2025 - CONCORTO FILM FESTIVAL<\/title>\n<meta name=\"description\" content=\"For the second year in a row, the Concortissimo 2025 focus returns to Concorto Film Festival, redefining the meaning of \u201cshort.\u201d\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/concortofilmfestival.com\/en\/concortissimo-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"CONCORTISSIMO 2025 - 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